The sixth note of the diatonic scale of any key.
- First inversion of the submediant triad occurs primarily as a tonic chord with resolved or unresolved appoggiatura.
- It does not resolve to the deceptive motion at the submediant sonority until the final eighth note in the alto voice, and then only very briefly in a highly syncopated rhythmic environment.
- Examining the implications of submediant superimpositions as two keys helps illuminate structures in these pieces that are hidden when viewed through a single tonality.
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